IF EVER THERE WAS
A SWISS ARMY KNIFE
FOR AUDIO PROFESSIONALS.
IF EVER THERE WAS
A SWISS ARMY KNIFE
FOR AUDIO PROFESSIONALS.
MVR-64 II: 704×704 CHANNEL UNIVERSAL FORMAT CONVERTER
–
128 x 128 channels Dante. 192 x 192 channels MADI.
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Format Extensions with Flexiverter
| AES3 SRC |
MADI SFP/SRC |
AES50 SRC |
Dante SRC |
BUY NOW
THE AUDIO UNIVERSE. COMBINED IN ONE DEVICE.
What the multiverter will do for you:
- Interface your recording gear to any digital signal source.
- Adds any format to your production truck or OB.
- 704×704 channel-wise routing between all interfaces (192×192 on FlexLink).
- Dante<>Dante bridging of different networks with optional sample rate conversion (up to 64ch 96k<>48k bidirectional, 128x0ch unidirectional)
- Use your ethernet port as 64×64 recording interface with the Dante® Virtual Soundcard technology
- Sample-rate conversion between any interfaces using the additional SRC-64 plugin module.
- Send and receive low-latency, 64×64 audio over your standard ethernet networks.
- Lifts your legacy gear up to date.
Dante/AES67 I/O
MADI SFP (2x)
MADI Coaxial
MADI TP (RJ-45) instead of AES50
AES/EBU I/O
ADAT
AES50 (instead of MADI TP)
- Dante/AES67 (two ports/integrated switch)
- 16 x AES/EBU I/O (DB-25)
- 4 x ADAT I/O, SPDIF/AES3 optical capable
- MADI SFP (2x) for optical Multimode/Singlemode
- MADI coaxial
- MADI-TP (up to two ports) – int. switch to AES50
- AES50 (up to two ports) – int. switch to MADI TP
- USB C port for Remote control
FlexiLink port for breakout-box connection with Flexiverter boxes:
- AVB (64 x 64 channels)
- AES3 <> All formats with optional SRC
- MADI <> MADI bi-directional, 64 Ch. @ 96k MADI SRC
- Dante <> Dante SRC
- Dante <> MADI 128 Ch.
- AES50 <> All formats with optional SRC
11 x 11 Interface
Conversion & Routing
Integrated Headphone out
+ Test tone generator
Network Remote
USB Remote
Triple-redundant power supply
(2x 90-240VAC, 1x 9-18VDC)
What else?
- Multiple conversions (i.e. Dante <> MADI and ADAT <> AES50) with each using the full channel count can run simultaneously.
- Preset store/recall (16 different setups)
- Headphone amplifier to monitor any incoming signal
- Asynchronous Sample Rate Conversion (128×0/64×64/0x128 channels) supported using the SRC-64 plugin module
- Test tone generator simplifies troubleshooting of complex setups
- Can be powered alone from industry standard 4-pin XLR plug battery packs
- MIDI embedding/de-embedding from MIDI jacks into MADI streams (RME-compliant)
- Transparent forwarding of MADI control data (i.e. headamp control, MIDI over MADI)
- Headamp Remote Control for MIDAS/Behringer
- AES50 AUX data (headamp control) passthru
- RS485 over MADI (DirectOut(R) compatible)
Dimensions / Weight
482x45x230mm (BxHxD) / 2.25 kg
Power consumption
8W typ., 30W max.
Each AC input: 85..264VAC, 50-60Hz,
0.75A@115VAC / 0.5A@230VAC
DC input: 9-18VDC (up to 30V tolerant), 2.5A peak
Channel count
352×352 (up to 32×32 per interface) in x2 modes
176×176 (up to 16×16 per interface) in x4 modes
Multiple conversions (i.e. Dante <> MADI and ADAT <> AES50) with each using the full channel count can run simultaneously.
Sample rates
32 / 44.1 / 48 / 64 / 88.2 / 96 / 128 / 176.4 /
192 kHz +/-100ppm, Varispeed operation is not supported
ADAT ports
Each port may be alternatively used as SPDIF or AES3 optical port with 2 channels @44.1/48kHz
RS485 port
Flexiport Extension
HDMI connector type. 64 ch @ 32 / 44.1 / 48 kHz, 32ch @ 64 / 88.2 / 96 kHz, 16ch @ 128 / 176.4 / 192kHz
MADI 2x SFP port
64ch@44.1/48kHz, 32ch@88.2/96kHz, 16ch@176.4/192kHz, MIDI-over-MADI, RS485 embedding
Transparent user bit forwarding
MADI BNC port
Standard AES10 coaxial port. Use with up to 100meters of 75 ohm coaxial cable 64ch@32/44.1/48kHz, 32ch@64/88.2/96kHz, 16ch@128/176.4/192kHz
MADI TP port
64ch@44.1kHz, 56ch@48kHz, 32ch@88.2, 28ch@96kHz, 16ch@176.4kHz, 14ch@192kHz
Pinout: MADI-TP on 4/5, 7/8 MIDI-over-MADI, RS485-over-MADI
Transparent user bit forwarding
Compatible to DiGiCo®/Soundcraft®/Studer®MADI-TP using the MTA-64 Adapter
AES/EBU
2 x DB-25 port. 16×16 channels. They provide the same internally jumperable pinout (Tascam/Yamahha) as the FLX AES3.
48ch@44.1/48kHz, 24ch@88.2/96kHz Pinout: Data on 1/2, 3/6; Sync on 4/5, 7/8
Wordclock port
Output: 5.0Vpp nominal, able to drive two parallel 75 Ohm terminations; Input: 2.0Vpp…5.0Vpp
Dante/AES67 port
Device prefix: MVR64
64ch@32/44.1/48kHz, 32ch@64/88.2/96kHz, 16ch@128/176.4/192kHz
MIDI port
Standard isolated input, standard MIDI output
Headphones
2x125mW into 32Ohm (@0.01% THD+N)
Bandwidth: 22Hz to 22kHz
REMOTE CONTROL INCLUDED.
- Integrated web server.
Run a Live Demo: appsys.ch/livedemo/mvr-64/ - Integrated telnet server
- USB UART
REMOTE CONTROL INCLUDED.
- Integrated web server.
Run a Live Demo: appsys.ch/livedemo/mvr-64/
- Integrated telnet server
- USB UART
Convert sample rates between all of your interfaces! To add even more power to your multiverter, a SRC hardware module is available. The module features 64×64 channel bidirectional, or 128×0 channel unidirectional, asynchronous sample rate conversion between two arbitrary sample rates and interfaces.
- Top-notch performance: THD+N = -133dB typ, -120dB max.
- True asynchronous, bi-directional conversion of 64×64 channels
- Supports arbitrary sample rates in the range from 32 … 192kHz
- Special aggregation modes exist to handle 64ch@96k by using two inputs and/or outputs together
- Handles up to 64ch@48k, 64ch@96k, 32ch@192k
- Free selection of any multiverter interface as asynchronous input and/or asynchronous output
The small Extender inline box enables the Multiverter to connect directly to DiGiCo and Soundcraft/Studer MADI-TP ports.
On the Multiverter side, audio is connected to the MADI-TP port, while power and configuration is taken from the Extension port (which is still available because it´s fed thru).
Supported are all known pin-outs as well as an built-in MDIX feature which allows you to use straight Cat5 cables where normally crossover cables were required.
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